XAM Duo – the Yorkshire-based pairing of Matthew Benn and Christopher Duffin – follow-up their The A-side features a reworking of the album’s closing track, ‘Cold Stones’, by legendary electronic artist and DJ, James Holden. In one of his first remixes for a number of years, he has taken the original’s calming, comedown energy and transformed it into an epic, 11-and-a-half-minute journey, which somewhere around the five-minute mark comes right back up. “It didn’t turn out quite how I expected, but as they say the sculpture is already in the stone, we just have to find it,” says Holden. “It’s like the most rave thing I’ve done for ages and also not rave at all, like a blurry dream about a rave?” Whatever it is, it’s incredible, as are the two further reworkings on the B-side. The Early Years resurface after another lengthy hiatus and reframe ‘LGOC’ as a divine astral jazz / krautrock crossover, while Richard Pike (of PVT and Deep Learning, among others) turns ‘Blue Comet’ into a glitchy and discordant soundtrack to the best 1980s computer game you never played. “It’s lovely to hear three different interpretations of songs that we already tend to keep quite loose and elastic,“ says Matthew Benn. “These remixes feel like a natural extension of the music on the album, like they’re from the same world, but perhaps in a different language.”

Praise for XAM Duo II:

“Thirty minutes of top-quality retro techno ambience and high-tech jazz”
– MOJO

“An elegant swirl of MIDI exotica, digital wind chimes and health-spa tones… threading saxophone through Boards Of Canada-style funk”
– Uncut

“Simultaneously more eclectic and more concise, the album expands, refines and folds down the twosome’s electro-organic explorations”
– Concrete Islands

“XAM Duo’s layered electronics pivot between the meditative and the assertive”
– Clash

“Made up of sweet synths, precise beats and some piano and sax, they create an atmosphere that feels as if it’s designed to accompany times of concentration and calm”
– Loud And Quiet