Paul Desmond is revered for the pure, gentle tone of his alto saxophone, and the elegant lyricism of his improvisations. For seventeen years he was the lead soloist in the most commercially successful jazz combo ever, the Dave Brubeck Quartet. In an era that worshipped the frenetic, bebop style of Charlie Parker, Paul Desmond found his own sound, a tone that he claimed imitated a “dry martini.” It was a sound that made him a favourite with critics and fans alike, and won him jazz poll after jazz poll. “I have won several prizes as the world’s slowest alto player, as well as a special award in 1961 for quietness.” He was a modest, retiring man, known to his friends for his wit and charm. Twenty years after his passing, his music still sells, is still played, and still moves people.

One of the most widely respected and admired jazz musicians of our time, Gerry Mulligan occupies a unique place in the American musical scene. Recognized as an important 20th century composer, arranger, saxophonist, and conductor, he has played a vital role in the history of modern jazz and contemporary music. Mulligan has performed with such jazz immortals as Louis Armstrong, Count Basie, Lester Young, Duke Ellington, Miles Davis, Jack Teagarden, Dave Brubeck, Billie Holliday, and of course, Paul Desmond. He was consistently voted number one in jazz polls around the world and has won a record twenty-nine consecutive Down Beat Readers Poll awards.

Although the beautiful sound, mutual understanding and harmonic balance mostly predominate, the music of alto saxophonist Paul Desmond performing together with baritone saxophonist Gerry Mulligan is far from what one calls ‘easy listening’. For many, it is even difficult to identify the melody of evergreens such as “Stardust” and “The Way You Look Tonight”.

The recording in the RCA Victor Studio took place over several days in 1962, and this is why different bass players and percussionists are heard – Wendell Marshall, Joe Benjamin and John Beal each take their turn on the bass, while Connie Kay and Mel Lewis change places behind the drum set. These musicians form a brilliant team, and that there is no piano is both deliberate and inevitable for Gerry Mulligan recordings of the day. By the way, the second saxophonist in “The Way You Look Tonight” is Paul Desmond – by means of over-dubbing in the middle of the stereo recording!
The present LP could certainly take a rightful place in a ‘Best Of’ collection alongside the other recordings by Gerry Mulligan with Ben Webster and Stan Getz.

Recording: 1962 at RCA Victor’s Studio A, New York City by Ray Hall, Bob Simpson and Mickey Crofford