After two years of tireless work to liberate these long out-of-print masterpieces from the vaults, Paradise of Bachelors is proud to present the first artist-sanctioned reissues—and first-ever vinyl reissues—of iconoclastic English-born, Rome-based folk and experimental music legend Mike Cooper’s classic trio of early 1970s avant-folk-rock records: Trout Steel (1970), Places I Know (1971), and The Machine Gun Co. with Mike Cooper(1972). The latter two titles are presented for the very first time as the definitive double album, as Cooper originally intended them to be released. With the oddly evocative choice of his third solo album’s title, appropriated from Richard Brautigan’s 1967 surrealist-pastoral novel Trout Fishing in America, Mike Cooper might very well have been describing his own mercurial musical practice. “Trout Steel” suggests a reflective, highly mutable, quicksilver riverine element, an apt metaphor for the lap steel runs summoned from his trademark National resophonic guitars and his restless, constantly evolving development as a singer, composer, interpreter, and improviser..By the time the Rolling Stones invited him to join the band in the early ’60s, and he politely declined (true story; Brian Jones took the gig), he had already progressed far beyond the circumscribed bounds of their early, hip-histrionic Albionic blues. The molting began in 1970 with Trout Steel, on which Cooper took a decisive step away from the folk and blues scenes in which he was well-known—he had toured with Michael Chapman and traveled in the same circles as Bert Jansch, Wizz Jones, and Davey Graham, among others—toward the New Thing jazz of Pharaoh Sanders, Sonny Sharrock, and Derek Bailey, without sacrificing any of his lyrical songwriting or forsaking his established roots in the soil of the American Southern vernacular. Producer Peter Eden (Donovan, Bill Fay, Clive Palmer) assembled a crack team of English and South African jazz and folk musicians (including Mike Osborne, Harry Miller, Geoff Hawkins, Stefan Grossman, and Heron) to record these remarkable sessions, and the results are absolutely sui generis, a compelling mix of tradition, group improvisations, and unfettered studio explorations that presaged Cooper’s adventurous work for decades to come. First-ever artist-sanctioned and vinyl reissue, two years in the making Includes 16 pp. chapbook with an exhaustive essay, lyrics, and never published colour photos .Available on 150g virgin vinyl as a gatefold LP, in a deluxe limited edition.Vinyl edition includes digital download coupon.