‘Hamasyan puts so much emphasis on mood and melody that it’s easy to miss…, how virtuosic the playing is.’ – DownBeat

‘Tigran has found a way to keep improvisation fresh and lyrical. Other jazz musicians would be wise to take note.’ – Guardian

‘There are many brilliant and perfectly finished young jazz pianists around, but Hamasyan stands out because he has something important and urgent to say.’ – Daily Telegraph

Nonesuch Records releases pianist and composer Tigran Hamasyan’s StandArt, his first album of American standards. StandArt includes songs from the 1920s through the 1950s, by Richard Rodgers, Charlie Parker, Jerome Kern, David Raksin, and others; it also includes a piece Hamasyan improvised with his bandmates – bassist Matt Brewer and drummer Justin Brown – and trumpeter Ambrose Akinmusire, who is featured on two of the album’s tracks. Other special guests include saxophonist and label-mate Joshua Redman on Charlie Parker’s ‘Big Foot’, as well as saxophonist Mark Turner on Jerome Kern and Oscar Hammerstein’s ‘All the Things You Are’. The complete track list is below.

Produced by Hamasyan and recorded last spring in Los Angeles, StandArt is Hamasyan’s first release of American music, having previously only released original compositions and traditional Armenian music. “With this record, I really wanted to apply different techniques and ideas I’ve developed over the years to a repertoire that I finally had an opportunity to re-visit, and to send a message that I really appreciate this music and am thankful for it,” he says. “I love these compositions and melodies so much that, to me, it’s like Armenian folk music. As an immigrant – an Armenian-American – I relate to these composers and musicians from various backgrounds who have that kind of history, a dark history, but managed to succeed in an embodiment of freedom. In that way, I feel like I want to be part of this, to find something in the tradition of where I came from.”

Hamasyan embarks on a US tour in June, with dates in Los Angeles, Boulder, Chicago, Washington, DC, and a concluding performance at New York City’s Gramercy Theatre on June 12. He also has upcoming dates in France, Israel, Switzerland, and Spain.

StandArt follows Hamasyan’s 2020 album, The Call Within, which took inspiration from his interest in maps from different eras, along with poetry, Christian and pre-Christian Armenian folk stories and legends, astrology, geometry, ancient Armenian design, rock carvings, and cinematography – blurring lines between historic reality and the imaginary world. It was included on Album of the Year lists by BBC Music Magazine and Jazzwise, which called it ‘an exceptional recording for exceptional times’ and Hamasyan’s ‘strongest artistic statement yet.’

Hamasyan began playing piano at the age of three and started performing in festivals and competitions when he was eleven, winning the Montreux Jazz Festival’s piano competition in 2003. He released his debut album, World Passion, in 2005 at the age of seventeen. The following year, he won the prestigious Thelonious Monk International Jazz Piano Competition. Additional albums include New Era; Red Hail; A Fable, for which he was awarded a Victoires de la Musique (the equivalent of a Grammy Award in France); Shadow Theater; and Luys i Luso. His Nonesuch debut, Mockroot (2015), won the Echo Jazz Award for International Piano Instrumentalist of the Year; subsequent records for the label include An Ancient Observer (2017) and the companion EP, For Gymuri (2018). Last year, he was awarded for the Deutscher Jazzpreis international category in Piano/Keyboards. In addition to awards and critical praise, Hamasyan has built a dedicated international following, as well as praise from Chick Corea, Herbie Hancock, and Brad Mehldau.