The night before an L.A. recording session, Kississippi’s Zoe Reynolds spotted a flashy billboard ad for an auto repair shop; “Get In Tune,” it read, an imperative that felt like a call to connect and a call to get better. It took her mind to Bruce Springsteen’s iconic garage-set video for “I’m On Fire,” and almost immediately a new song began to take hold. With bubbly synth pads, atmospheric guitar swells, stacked harmonies and drop-out-ramp up drum beats, “We’re So In Tune” captures the synchronous excitement of new relationship energy in vibrant waves of sound, crashing and receding like an uncontainable impulse. “A couple people have commented on how it’s NOT in tune,” Reynolds jokingly remarks, citing the Lorde-ian, shout-along gang vocals behind the chorus. “But it doesn’t have to be; I wasn’t in tune with that person, either.” The song serves as the bar-raising first song on Mood Ring, Reynold’s second full length as Kississippi and first for Triple Crown Records. Like its opening track, the album is full of her trademark talent at channeling deadpan emotional observation into poignant musical metaphors. Kississippi comfortably filters pop grandeur, emo’s deliberate rawness, and Nashville’s studio largeness through a lens of punk camaraderie. Just like the album’s title suggests, Reynolds writes through a spectrum of shifting emotions: elation blending into insecurity and back around into gorgeous awe..