Pulled from the same fictive universe as 2018’s Jassbusters, the shrewdly named Jassbusters Two makes a languid counterpart to its predecessor – both albums were recorded by the aforementioned fictional band of schoolteachers from the as yet mostly unseen daytime TV miniseries Bost’n ‘n Dobs’n, conceived, directed by, and starring Mockasin himself, and possibly coming to a late night cinema near you. In the mists of 2016, Jassbusters had found its feet in Paris, and Jassbusters Two materialised only shortly thereafter in 2017, three-and-a-half-thousand miles across the Atlantic. “Jassbusters was the first record I’d done as a band,” Connan reflects. “I really enjoyed it, and wanted to make more music while we were still in character as this group of music teachers.” At Gary’s Electric Studio in Brooklyn, New York, Mockasin, along with Jassbusters’ real-life counterparts (Nicholas Harsant on bass, Matthew Eccles on drums, and Rory McCarthy, aka Infinite Bisous, on rhythm guitar), freestyled across long live takes, weaving under, over, and straight through each other’s blurry riffs. “I was playing the role of the guitar teacher in the band, who was pushed into being the singer who didn’t have lyrics. So, like the first Jassbusters record, the lyrics were improvised, blurted out.” With its bending of genre, a tinge of sensuality, and just enough wonk, Jassbusters Two perfectly follows both Jassbusters and the wider Connan Mockasin canon, the artist’s playfulness, surreal characterisation, and improvisational knack melted down and spread into new directions; chopped, churned, and smoothed with a jazzer’s intuition, a country fingerpicker’s dexterity, and a funkster’s flow. Be you listener, player, or faculty member of the mind, this latest Mockasin master work invites you to forget the grind, just for a bit, and settle into the syrupy, boundless world of Jass. Limited release – indies vinyl includes transparent blue vinyl and Jassbusters Two poster.