Inspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record increasingly relevant in the 21st century. Lyrically, songs such as “The Voice” call into question human behavior – and their relationship to increasing robotic supremacy – in everyday life. Sonically, Parsons reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.

I Robot’s absorbing tunes also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd’s strategies, Parsons utilizes a looped sequence on the title track to create new downbeats. “Some Other Time” employs two different lead vocalists and yet gives the illusion only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace “Don’t Let It Show.” The origins of “Nucleus” stem from a unique analog keyboard concoction dubbed “the Projectron,” devised by Parsons and electronic engineer Keith Johnson. Andrew Powell’s orchestral and choral arrangements top it all off, with “Total Eclipse” arriving as an aptly frightening track that presages the climactic “Genesis Ch. 1 V. 32.”