View basket “Dennis / Oh My Little Malcontent” has been added to your basket. Don’t Forget Me Maggie Rogers SKU: 26.00 26.00 £26.00 £26.00 Genre: Rock And Pop Label: Capitol Released Date: 12th April 2024 Buying Format: 1LP Coloured Vinyl 1LP Coloured Vinyl Indies Only Buying Options Choose an option1LP Coloured Vinyl1LP Coloured Vinyl Indies OnlyClear Don't Forget Me quantity Add to basket ReserveBack Order Add to your Wishlist Description Product Info GRAMMY® Award-nominated songwriter/producer/performer Maggie Rogers will release Don’t Forget Me, her third studio album, on April 12 via Capitol Records. “I wanted to make an album that sounded like a Sunday afternoon,” explains Rogers in the letter below, which tells the story of the making of Don’t Forget Me. “Worn in denim. A drive in your favorite car. No make up, but the right amount of lipstick. Something classic. The mohair throw and bottle of Whiskey in Joan Didion’s motel room. An old corvette. Vintage, but not overly Americana. I wanted to make an album to belt at full volume alone in your car, a trusted friend who could ride shotgun and be there when you needed her.” Today, Rogers shared the title track – an intimate reflection on the legacy we create through our relationships. The accompanying video was filmed in Super 8 in Maine and unfolds with an organic energy akin to the album as it tracks the simple, reassuring rhythms of daily life. She co-produced Don’t Forget Me with Ian Fitchuk (Kacey Musgraves, Maren Morris) at Electric Lady Studios in New York City, writing eight of its 10 songs with him and penning two alone. Shawn Everett (Brittany Howard, The War on Drugs) mixed. The album was mastered by Emily Lazar (Beck, Coldplay), who has mastered all of Rogers’ albums to date. Rogers debuted “Don’t Forget Me,” “The Kill” and “So Sick Of Dreaming” during her sold-out Summer of ’23 North American headline tour, which brought her to iconic venues such as Red Rocks and the Hollywood Bowl. Additional songs were previewed during last month’s listening parties, which celebrated the 5th anniversary of the release of Heard It In A Past Life, her 2019 debut album. Heard It In A Past Life entered Billboard’s Top Album Sales chart at No. 1 and debuted at No. 2 on the Billboard 200. Now certified Gold by the RIAA, the album has sold nearly a million copies worldwide and accrued one billion combined global streams. Her 2022 follow up album, Surrender, also earned widespread praise, with Rolling Stone hailing Rogers as a “pop music prodigy…an artist who’s in it for the long haul” and Pitchfork noting, “she sounds renewed, submitting to the pull of her heart without apology.” Maggie Rogers on Don’t Forget Me: I have had so much fun at every stage of making this album. I think you can hear it in the songs. And I’m finding it’s sort of the key ingredient to making all of this really fly. This album was written over five days, two songs a day — three days in December 2022, two in January 2023. It was written in chronological order. Some of the stories on this album are mine. And for the first time really, some of them are not. The moments that are mine feel like memories — glimpses from college, details from when I was 18, 22, 28 (I’m 29 now). In writing the album sequentially, at some point a character emerged. I started to picture a girl on a roadtrip through the American south and west. A sort of younger Thelma & Louise character who was leaving home and leaving a relationship, processing out loud, finding solace in her friends and in the promise of a new city and new landscape. I tried to capture her life with the intimacy of Linda McCartney’s photographs, spontaneous and open and free. She’s starting over, turning the page on a new chapter in her life. Some of the stories and details in the songs are from friends or from the news. Some I just completely made up, or rather, sort of flew out of me. Pen to paper. Fully formed. There they were. I think in this way, some of the deepest truths about my present were able to come forward. I wasn’t looking for them or digging them up, harvesting their stories before they had the chance to become fully grown. The truths about my life came from my deepest intuition. Things I wasn’t ready to say out loud to myself, but they found a place in the music. Eight of the ten songs were written with my sole collaborator and teammate on this album, Ian Fitchuk. The other two songs I uncovered on my own and were the product of my long friendship with Lee Foster, the Electric Lady manager who, in the days before Christmas, realized I was on a roll and gifted me an extra day of studio time to keep working and catching the songs coming through my hands. Ian and I co-produced the album together, and he plays most of the instruments on the album. He’s such an amazingly gifted player and feeler, and has become an even better friend. We had never worked together before this record, but in late November of 2022, I had a whispering feeling that we could make something interesting together and I DM’d him out of the blue wondering if he’d be open to give it a shot. I’m so grateful he said yes. These songs and session days are a record of our first time meeting in person, and it’s so exciting to feel that we’ve only just scratched the surface. Most of the performances you’ll hear are first takes. The recordings were initially a collection of demos to be re-recorded with a band. I think this is how and why it all came into being in the way that it did. I just thought we were playing, musically shaking hands for the first time. We met again in March to try to beef up the arrangements, but every time we tried to change them, we kept feeling like we lost something. When we listened back, we realized that taking the pressure off allowed us to drop our guards and pretenses in the studio, the result being a whole lot of character and heart. That week of throwing shit at the wall and testing our ideas turned the casualness of our original process into a deliberate creative choice that we could stand behind as an album. We decided to leave all the pieces that make the recordings feel real and feel human. Like performances, instead of manufactured or gridded perfection. In the end, the album was made because we weren’t trying to make an album. There’s a warmth to Don’t Forget Me. In many ways, it feels like coming home, returning to the music and songwriting that grounded me when I first started making art in my bedroom when I was 16. My friends keep saying it sounds like the version of me that they know. Something looser, or sassier, or sillier than I’ve shown in public before. I wanted to make an album that sounded like a Sunday afternoon. Worn in denim. A drive in your favorite car. No make up, but the right amount of lipstick. Something classic. The mohair throw and bottle of Whiskey in Joan Didion’s motel room. An old corvette. Vintage, but not overly Americana. I wanted to make an album to belt at full volume alone in your car, a trusted friend who could ride shotgun and be there when you needed her. The album’s title track is also out today. After an entire summer of playing this song live it feels GOOD to finally be feeling the levity of release. The song is a rough journal entry about going to a bunch of friends’ weddings and feeling so happy for them, but also realizing that I’m very simply in a different place in my life. I’ve joked with my friends that it’s a song about having low expectations, but really I think it’s about craving simple baselines – a good lover or someone that’s nice to me. When it comes down to it, our memories and relationships are all we have. I don’t have a lot of asks, but I want my time spent on this earth to add up to something. For it all to be worth it in the end. I think remembering someone can be the greatest form of loving because when we remember, the love lives on. When I’m standing at the end of my life, I hope a lifetime of accumulated love is what I’m left with. I think its inherent that we give and take from each other. And that even with all the best intentions there can be some destruction too – take my money, wreck my Sundays. There are simple things I think we’d all give up for love. I think it’s just about wanting our sacrifices or suffering to be meaningful. To have it all not be forgotten. Don’t forget me. This has been such a transformational and special time in my life. I’m so grateful for many years of support and care I’ve been offered to let me come to all of this in my way and in my time. I can honestly say I’m more ready than I’ve ever been…and most importantly, I’m having a blast. I hope you love this record as much as I do. Artist Maggie Rogers Genre Rock And Pop Label Capitol Buying Options 1LP Coloured Vinyl , 1LP Coloured Vinyl Indies Only Format 1LP , Coloured Vinyl Condition New Country UK Track Listings It Was Coming All Along Drunk So Sick of Dreaming The Kill If Now Was Then I Still Do On & On & On Never Going Home All The Same Don’t Forget Me Share this On Facebook On Twitter Via Email More from Maggie Rogers and more from Rock And Pop View Product Quick View Maggie Rogers Surrender Rock And Pop | Polydor | 1LP, Coloured Vinyl Released 29th July 2022 £20.00 - £28.00 Select options Maggie Rogers Surrender £20.00 - £28.00 Genre: Rock And Pop Label: Polydor Formats: 1LP, Coloured Vinyl Released Date: 29th July 2022 Read More Select options View Product Quick View Maggie Rogers Notes From The Archives: 2011-2016 Rock And Pop | Polydor | 2LP, Coloured Vinyl, Gatefold Sleeve Released 23rd April 2021 £30.00 Back Order View Pre/Back Orders Maggie Rogers Notes From The Archives: 2011-2016 £30.00 Genre: Rock And Pop Label: Polydor SKU: 1213730 Formats: 2LP, Coloured Vinyl, Gatefold Sleeve Released Date: 23rd April 2021 Read More Back Order View Pre/Back Orders View Product Quick View Maggie Rogers Heard It In A Past Life Rock And Pop | Polydor | 1LP Released 18th January 2019 £18.00 Back Order View Pre/Back Orders Maggie Rogers Heard It In A Past Life £18.00 Genre: Rock And Pop Label: Polydor SKU: 6794493 Formats: 1LP Released Date: 18th January 2019 Read More Back Order View Pre/Back Orders Nearly New View Product Quick View Traffic Shoot Out At The Fantasy Factory Rock And Pop | Island | 1LP Released 29th July 2023 £35.00 Add to basket Reserve View Reservations Traffic Shoot Out At The Fantasy Factory £35.00 Genre: Rock And Pop Label: Island SKU: nn268241 Formats: 1LP Released Date: 29th July 2023 Reserve View Reservations Read More Add to basket View Product Quick View Kinks, The Kinda Kinks Rock And Pop | 4 Men With Beards | 180g, 1LP Released 10th August 2016 £27.00 Back Order View Pre/Back Orders Kinks, The Kinda Kinks £27.00 Genre: Rock And Pop Label: 4 Men With Beards SKU: 4M801LP Formats: 180g, 1LP Released Date: 10th August 2016 Read More Back Order View Pre/Back Orders View Product Quick View Flaming Lips, The In A Priest Driven Ambulance, With Silver Sunshine Stares Rock And Pop | Rhino | 1LP Released 12th September 2018 £16.00 Back Order View Pre/Back Orders Flaming Lips, The In A Priest Driven Ambulance, With Silver Sunshine Stares £16.00 Genre: Rock And Pop Label: Rhino SKU: 0603497860265 Formats: 1LP Released Date: 12th September 2018 Read More Back Order View Pre/Back Orders View Product Quick View Neil Ardley Kaleidoscope Of Rainbows Jazz | Pure Pleasure | 180g, 2LP Released 11th July 2005 £34.00 Back Order View Pre/Back Orders Neil Ardley Kaleidoscope Of Rainbows £34.00 Genre: Jazz Label: Pure Pleasure SKU: GULLPP1018 Formats: 180g, 2LP Released Date: 11th July 2005 Read More Back Order View Pre/Back Orders View Product Quick View Darwin Deez Double Down Rock And Pop | Lucky Number | 1LP, Includes Download Code Released 18th September 2015 £22.00 Back Order View Pre/Back Orders Darwin Deez Double Down £22.00 Genre: Rock And Pop Label: Lucky Number SKU: LUCKY84LP Formats: 1LP, Includes Download Code Released Date: 18th September 2015 Read More Back Order View Pre/Back Orders View Product Quick View Take That Wonderland Rock And Pop | Polydor | 1LP, Gatefold Sleeve Released 4th April 2017 £20.00 Back Order View Pre/Back Orders Take That Wonderland £20.00 Genre: Rock And Pop Label: Polydor SKU: 5738753 Formats: 1LP, Gatefold Sleeve Released Date: 4th April 2017 Read More Back Order View Pre/Back Orders View Product Quick View Lindstrom Where You Go I Go Too Rock And Pop | Smalltown Supersound | Miscellaneous Released 15th March 2010 £6.00 Back Order View Pre/Back Orders Lindstrom Where You Go I Go Too £6.00 Genre: Rock And Pop Label: Smalltown Supersound SKU: STS153LP Formats: Miscellaneous Released Date: 15th March 2010 Read More Back Order View Pre/Back Orders View Product Quick View Quinn Oulton Alexithymia Rock And Pop | Deep Matter | 180g, 1LP Released 27th May 2022 £20.00 Back Order View Pre/Back Orders Quinn Oulton Alexithymia £20.00 Genre: Rock And Pop Label: Deep Matter SKU: DM012 Formats: 180g, 1LP Released Date: 27th May 2022 Read More Back Order View Pre/Back Orders View Product Quick View Tommy Emmanuel The Best of Tommysongs Rock And Pop | CGP Sounds | 2LP, Includes Booklet, Includes CD Released 16th October 2020 £73.00 Back Order View Pre/Back Orders Tommy Emmanuel The Best of Tommysongs £73.00 Genre: Rock And Pop Label: CGP Sounds SKU: 0705438723995 Formats: 2LP, Includes Booklet, Includes CD Released Date: 16th October 2020 Read More Back Order View Pre/Back Orders View Product Quick View Jabu Sweet Company Rock And Pop | Do You Have Peace? | 1LP Released 20th November 2020 £16.00 Back Order View Pre/Back Orders Jabu Sweet Company £16.00 Genre: Rock And Pop Label: Do You Have Peace? 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