“Opaque Orange” Indie Store Exclusive (LPC2).

RIYL: Japanese Breakfast, Clairo, Perfume Genius, Sufjan Stevens

Follow up to 2019’s breakout debut ‘Happy To Be Here’, which ranked #21 on Billboard Heatseekers Chart upon release.
Early singles “Frankie” and “Dig” praised by Stereogum, The Line Of Best Fit, Billboard, Consequence, and Under The Radar.
Radio support from SiriusXMU, KCRW, KEXP, BBC 1, BBC 6 & Triple J.
Headline dates in NYC, London, Paris and Los Angeles. Tour dates supporting Sunflower Bean down to Texas, where Barrie will be showcasing as an official artist at SXSW 2022. Release week instore performances at record shops across the UK.

On Barbara, the sophomore album from Brooklyn-based songwriter and producer Barrie, she battles the loss of a parent, the start of a new relationship, and the impulse to separate herself from her music. This result is a beautifully peculiar, and quietly ambitious collection of synth-pop, art-pop, indie rock and folk songs that reflect a new willingness to let listeners into her world.

Two events redefined Barrie Lindsay’s life and shaped the direction of Barbara. In the summer of 2019, she met her now-wife, the musician Gabby Smith. Simultaneously, Lindsay’s father learned that his lung cancer had worsened. In January of 2020, she moved home to Ipswich to spend time with family and begin work on her album. Three months became nine, thanks to the pandemic. Lindsay wrote Barbara while quarantining with Smith in Maine, while her father was dying, and while she was falling in love.

Lindsay finds catharsis from the ambivalent desperation of losing a parent on the album’s centerpiece, “Dig.” You can hear her newfound boldness as she wails the song’s central refrain, giving herself over to emotion: “I can’t get enough of you / Where did you come from?” Despite the grief, personal and collective on Lindsay’s mind while making Barbara, she often pauses to embrace joy. “Jenny,” is a simple, acoustic guitar ode to meeting Smith. Similarly, her fantasy of a romantic but bloodied afternoon, “Quarry,” sounds eerie and aqueous, before erupting into a euphoric geyser of synth and drums.

“Barbara isn’t an album specifically about grief or love. It’s just an album where I let myself actually feel my emotions,” Lindsay says. “That was something I’d never done before in music.”