In celebration of their 10-year Anniversary, Lost Highway Records is re-releasing twenty of their most acclaimed albums including Elvis Costello’s The Delivery Man on limited edition clear vinyl.

With 2004’s The Delivery Man, Elvis Costello & the Imposters’ first release for Lost Highway, one of modern music’s most admired and prolific talents delivered a remarkable album that draws on deep American musical roots more than any of his releases since King of America in 1986.

Recorded in Oxford, MS and produced by Dennis Herring (Modest Mouse, Counting Crows, Buddy Guy & Cracker) and Elvis Costello, it is a collection that ranges from the ferocious, bass-driven opening track, “Button My Lip,” which speaks in the voice of a desperate man on the verge of committing a terrible crime, to a tender and timely closing rendition of, “The Scarlet Tide,” referred to by Costello’s co-composer and fellow Oscar Nominee, T Bone Burnett as an “anti-fear song.”

Like a lot of great things in music history, The Delivery Man can be said to have started with the late great Johnny Cash. “The Delivery Man is actually a character imported from a song I wrote in about 1986 for Johnny Cash,” Costello explains. “He’s based on a real character. I read this story in the paper about a man who confessed to murdering his childhood friend thirty years later, having been in prison for a number of other things. I thought this story was very interesting because he’d carried this burden of guilt of this childhood crime. I wrote a fictional version of that story in a song called ‘Hidden Shame,’ which John recorded.”

Beyond the Imposters, longtime Attractions Pete Thomas and Steve Nieve, and more recent revelation Faragher, The Delivery Man also features winning turns from two of Costello’s own favorite artists, Emmylou Harris and Lucinda Williams.

“The album is steeped in Southern Americana: the gospel-rooted grooves of Memphis soul, touches of pedal steel guitar, Southern-rooted guest singers including Emmylou Harris and Lucinda Williams and the storytelling that Southern soul shares with country music.” – Jon Pareles/New York Times