Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectable, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3 and also released on Hybrid SACD

All mastered from the original analogue master tapes by mastering maestro Kevin Gray. 200-gram LPs pressed at Acoustic Sounds’ state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom

Deep groove label pressings, tip-on jackets on thick cardboard stock

Benny Golson, who came to the attention of the jazz public with Tadd Dameron’s band and Dizzy Gillespie’s orchestra, was a member of the Jazztet — the group he had formed with Art Farmer — at the time of this recording. Farmer is not with him in this recording but another Jazztet-mate, trombonist Curtis Fuller, is. Although this session is not as structured as the three-horn efforts of the Jazztet, there is a balance between blowing and Golson’s writing that makes for a felicitous blend, whether on Golson’s own “My Blues House,” Gene Krupa’s old burner, “Drum/Boogie,” or Jerome Kern’s “Yesterdays.” And with Art Blakey on drums things cook when they have to, and simmer at the right moments. With Curtis Fuller, Ray Bryant, Paul Chambers and Art Blakey.