The Band’s fourth album, from 1971, shows the strains which accompanied its recording, and in fact continued to unravel the group over the next five years. Much anticipated upon its release, it can now be appreciated as the fragmented work that it is. Having set impossibly high standards with their previous releases, they were bound to teeter, and they did. But even when falling short of their masterpieces MUSIC FROM BIG PINK and THE BAND, they are still a powerful force to be reckoned with, and CAHOOTS yields its share of rewards. “Life Is A Carnival” began their association with Allen Toussaint–his horn arrangements led to a full-blown collaboration on the live ROCK OF AGES the following year–and the result is a burbling piece of funky country pop. Bob Dylan’s “When I Paint My Masterpiece” is premiered here (Dylan later released his version on his GREATEST HITS VOLUME II) with a lovely accordion and mandolin arrangement. Other highlights include the Richard Manuel-Van Morrison duet on “4% Pantomime” and one of their most overlooked songs, the hauntingly beautiful “The Moon Struck One”. CAHOOTS lacks the consistency of the Band’s best work, but is still a fine effort by one of the era’s most influential bands.